Wednesday, 21 April 2010

Some 'out there' designs from Alfa Romeo

I love the cars Alfa are making at the moment, and it's wonderful to see such an iconic marque in resurgence after losing their way for so long. The MiTo, 147, 159 (Saloon & Sportswagen), GT, Brera and Spyder are all fantastic looking cars. I haven't seen the new Giulietta in the flesh yet, but something tells me they'll be onto another winner here, too. And the top of the shop has to be the beautiful 8C Competizione. Shame it's a little out of my price range at the moment.

I'm not so sure about some of these concepts, however. I love elements of them… but I'm not sure just how, erm, practical they'd actually be. But concepts aren't really about practicality are they? The second car, the 'fastback' particularly looks fantastic, I love the almost 'origami' feel of the bonnet and the grill… and then you get about 3/4 of the way back, and then it looks like the designer has quite literally lost his mind!  They do say madness is close to genius, don't they?

Anyway it's nice to see somebody pushing the boundaries… and I'm sure we'll see elements of these styling cues in production cars, even if they are 'toned down' for public consumption. At least I hope we will.

These images came to my attention via Fubiz by the way. 

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Tuesday, 20 April 2010

Nanami Cowdroy

I have just discovered, via Fubiz, the wonderful work of Australian born artist/illustrator, Nanami Cowdroy. Her signature detailed style reflects a refined monochrome pallette with her name 'Nanami' (meaning 'Seven Seas' in Japanese ) stamped in red. Fluid line-work, watery creatures and Goldfish are some of her favourite subjects, and distinctive forms which are featured in her artworks.

Elaborate and exotic, her work is influenced by her mixed Japanese and European heritage, a heritage that has influenced her style of art and creative expression. As well creating these wonderful artworks, Namani has turned two of her favourite illustrated characters 'Kintoto' the goldfish) and 'Origami Tsuru' the paper crane have been translated into 'wearable treasures' (that's jewellery to you and me!).  as using her work for examples of her work on

The illustrations have also been turned into 'skins' suitable for everything from laptops, Flip video cameras and iPhones; and other items as diverse as cushions and coffee cups. 

Beautiful work, Nanami, beautiful work. See more on her website.

If you like this post, you might want to check out this post about Cheeming Boey too.

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Friday, 16 April 2010

Falcon Motorcycles

Based in California, Falcon motorcycles are doing something slightly different on the US bike scene. They don't just restore classic British bikes. And they don't just build customs. They do something in between, that fuses the best of both. Salvaging original parts from those iconic names of the golden age of British biking… marques such as Norton, Triumph, Ariel and Vincent… they work their alchemy to produce something completely unique, yet distinctly recognisable about each machine. A Norton still looks like a Norton, somehow, but like no Norton you've ever seen before. Something beyond. Ancient, yet at the same time modern too. Timeless. But still with Norton (or Matchless, or BSA) DNA.

Purists may blanche at this approach but Falcon say the only salvage parts from forgotten skeletons left to rust, and derelict engines, and they would NEVER dismember a functioning classic machine. But I think there is some real magic in what they do.

Find out more on their website. And if you're in the media, press inquiries are handle but the impressively monikered Amaryllis Knight – which has got to be my favourite name since Winston Groovy. Or Randy Pope. Sorry to go off on a tangent… I feel a 'great names' post coming on.

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Wednesday, 14 April 2010

Why does Apple always need an 'enemy'?

I've been an Apple user for more years than I care to remember. And, in pretty much equal parts a fan and a critic of the company. they've got a great brand, they make some truly fantastic products, and a great user experience. But it can be frustrating to be an Apple user sometimes – their customer service hasn't always been the best, and if you've got a hardware problem (admittedly fairly rare), they can often make it seem like it's your problem. In short, Apple can occasionally come across as a little arrogant. Not to mention the premium you pay for choosing Apple. Oops, sorry, just mentioned it.

So, a little bit of personal history. Pre Quark's dominance, I was an Aldus Pagemaker and Freehand user; then Quark, Illustrator & Photoshop, now it's pretty much InDesign, Illustrator and Photoshop, (oh, and Acrobat of course. And Flash) – All Adobe products. And, although Adobe's products line (and user experience) on Windows is pretty much identical to that on a Mac these days, once upon a time, if you used Adobe products, chances were you were going to be using them on a Mac. I'm betting there's a lot of people out there with a similar background to me.

So it seems a bit odd (to me, as a user, and customer of both companies) that Apple has fallen out with Adobe over the inclusion of Flash compatibility, first on the iPhone, and now on the iPad. (And there's a shedload of information about their latest spat if you care to look for it).

But Adobe aren't the first company to have raised the ire of Apple (and let's face it, Steve Jobs. some of this stuff seems kind of personal!). I'm betting they won't be the last. They're just the latest (or is that Google) in a long line of companies that Apple has fallen out with… and not just fallen out with, actively fought with. Actually, now I come to think about it, it's not even the first time Apple have fallen out with Adobe… remember TrueType?

It seems Apple has always needed an enemy.
Initially it was IBM, Then Microsoft (Apple, and Apple users even alluded to them as "the evil empire"!), They've had run ins with Quark, the entire music industry, and more recently Nokia, Adobe and Google. And that's just off the top of my head.

Apple sometimes seems to define themselves almost as much as who they're NOT, who they're AGAINST, as who they ARE. Maybe they're right. After all, you can't argue with success, and Apple are nothing if not successful. Maybe when you've got vision as powerful as Mr Jobs seems to, and you're an industry maverick, your always going to butt heads with somebody. It just seems kind of negative. Almost childish.

Now Apple are a hugely successful company, they're no longer 'the little guy'… like they were in their battles with IBM and Microsoft. And (have you ever noticed I start far too many sentences with and? Must stop that.) everybody always loves the underdog. Apple aren't the underdog anymore, although companies such as Google and Adobe could hardly be considered small, there's not much 'spin' in a fair fight.

I'm just wondering, after the dust settles, and the furore over Flash on the iPad and IPhone dies down, who is Apple's next big enemy going to be?

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Tuesday, 13 April 2010

Creative contraditions…

Lovin' the retro typography on these ads for the spectacularly popular FIAt 500.
Nice work from Leo Burnett's Madrid office. Via advertlover.com

And as a wee bonus, here's a gallery of FIAT 500's through the years, starting off way back in 1939. 

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Penguin Books; Travel with words, meet the world.

Any more words from me would spoil this. 
By Brazilian agency IESP. via Pubcreativo.com

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Wednesday, 7 April 2010

It's never too late to become a better person…

Nice thought behind these ads for French organ donation charity France Adot. 
Doesn't need too much analysis or explanation from me… 

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